Blue-Footed Musings

The Tiger’s Wife by Téa Obreht
Grade: A-

In a war-torn Balkan country, a woman searches for the stories of her grandfather’s past and his recent death.

This is a brilliant first novel that doesn’t quite live up to its potential. What it becomes is a collection of character sketches, all beautifully drawn, but at the end you are left with the feeling that there’s no real story or character development. If you read the online reviews, quite a few people speak of an emotional distance or coldness that they felt while reading. I felt it, too. However, The Tiger’s Wife is IMHO quite well written and worth reading for that reason.

The Dark Is Rising by Susan Cooper
Grade: B+

A seventh son of a seventh son learns that he is one of the Old Ones, gifted with the magical powers of the Light. His mission is to find the six Signs with which to fight the powers of the Dark.

The setting is a small English village at Christmastime and during a severe winter storm. The author spends a lot of energy on this setting, giving us an old-fashioned Christmas with a loving family, traditional decorations, caroling, gift-giving, and the the exciting-yet-scary feeling of being cut off from the rest of the world by snow. That much is good. But the main character, Will, really doesn’t do anything. He just blunders from place to place (home, a farm, a neighbor’s house, church, etc.) and everything he needs is given to him, even the understanding of how to use his powers.

The lack of action and character development ruined The Dark is Rising for me. This book is on the list of top 100 children’s books, and I guess that’s not so surprising given the general quality of the writing, but I personally have no desire to read the rest of the series.

The Magician’s Elephant by Kate DiCamillo
Grade: A

An orphan boy asks a gypsy the question that has been burning inside him, and the gypsy’s answer is that he will find what he seeks by following the elephant. But where can he find the elephant?

The Magician’s Elephant is a lovely children’s book, but for adults. The main character is a boy and the events of the story put it solidly in the children’s-book category. But the way it is written—the melancholy atmosphere, the themes of hope and forgiveness, the poetic quality of the language—all make it more of a book for adults. Here is an example I found by opening up the book to a random page.

The manservant looked into the boy’s eyes and saw himself, young again and still capable of believing in miracles, standing on the bank of the river with his brothers, the white dog suspended in midair.

“Please,” said the boy.

And suddenly it came to [the manservant], the name of the little white dog. Rose. She was called Rose. And remembering it was like fitting a piece of a puzzle into place. He felt a wonderful certainty. The impossible, he thought, the impossible is about to happen again.

I could be wrong, but I think you need to be older to really understand the epiphany that the manservant is having here, and The Magician’s Elephant is full of these kinds of moments. So, while I really liked it, I doubt that most children would number it among their favorites. Still, I’m going to put it in the children’s section of my library, because where else could it go?

The Little Bookroom by Eleanor Farjeon
Grade: A

The Little Bookroom is a wonderful, old-fashioned collection of fairy tales and other stories by Eleanor Farjeon. Farjeon’s best-known work in America, the book says, is the hymn “Morning Has Broken” (the lyrics of which you can read here, on Wikipedia). I had not known that she wrote that hymn, actually, though I love the Cat Stevens recording of it. It’s a shame that so much of Farjeon’s work is now out of print. I hope I get to read more of it someday.

Most of the stories in The Little Bookroom are excellent, but my favorite part of the book was the author’s note at the beginning. In it, she describes the little bookroom of her youth, the place where she learned “to read anything that can be called a book.” I also enjoyed “Tea With Eleanor Farjeon” (by Rumer Godden), which is included at the end of this edition (The New York Review Children’s Collection).

The Lord of the Rings by J.R.R. Tolkien
Grade: A+

In The Lord of the Rings, a hobbit named Frodo Baggins inherits the magic ring that his uncle, Bilbo, found on a journey many years previously (the story of which is told in Tolkien’s first novel, The Hobbit). The ring turns out to be more powerful and dangerous than they could have imagined, and Frodo sets out on a perilous mission to destroy it.

Though The Lord of the Rings is technically a sequel, you’d hardly know it. The difference in tone between it and The Hobbit is striking. The Hobbit is a children’s book. TLOTR is not. Each can stand on its own. Both are equally good.

I am also a fan of the recent movie adaptations of TLOTR that were directed by Peter Jackson. Reading through the reviews of the movies on Amazon.com or similar websites, you will find the occasional diatribe by a fan of the book. Those reviewers are purists, angry over every little change to the actions, words, and motivations of the characters. I don’t share their wrath, and I hold no grudges against the screenwriters. Some changes were necessary, no getting around it. Tolkien’s honest, simple way of writing makes for lovely reading, but he told stories the way he liked them himself, and he seems to have been fond of old, long-winded mythical tales. As a result, his story-telling is often slow, occasionally to the point of tediousness. The story as he told it is far too long for three movies (even three very long movies) so the action had to be pushed along. I say kudos to Jackson for turning such a slow tale into an eminently watchable, action-packed trio of movies.

So you might wonder why, after daring to use the word “tediousness” in my description of Tolkien’s story-telling, that I still give it an A+ grade. It is because TLOTR is an inventive, epic, and exciting tale. It practically spawned an entire of genre of fiction. Even now, almost 60 years later, writers are still trying to imitate it and usually, sad to say, utterly failing to capture the spirit. When you read Tolkien, you can feel the joy with which he built his fictional world and the inventiveness that produced Bilbo, Frodo, Gollum, Gandalf, Tom Bombadil, the Ents, and Aragorn, just to name a few. So many wonderful characters and creations sprang from Tolkien’s mind. Hardly anyone in the whole history of fiction has given us so much. Most authors just cannot match him, and woe to they who try and fail.

Though I myself don’t think Tolkien’s writing is perfect, I am always surprised (and often annoyed) by other peoples’ negative opinions of his work. For example, I reviewed a book about C.S. Lewis Narnia series not too long ago. It was The Magician’s Book by Laura Miller. Since Lewis and Tolkien were good friends, Miller often mentioned Tolkien. I think my opinion of her book was somewhat colored by what she said about him. Even though she claimed to like his work, she also bashed it. She said,

Tolkien’s freakishly prodigious powers of invention could not supply the book with what four years of studying English literature had led me to expect from a great novel. . . . I had read Tess of the d’Urbervilles and Absalom, Absalom! and Crime and Punishment—to name just three books with related themes—and knew they sounded depths that Tolkien never touched.

I, too, studied English literature, and I think I understand what she is saying. She’s right, and yet she’s not. There are different types of stories, and they serve different purposes. It is not always wise or instructive to compare the merits of one against the other. Apples and oranges, so to speak. I would not say that TLOTR is the greatest book I have ever read, but it is among the best I have ever read. Nothing beats it for escapist reading. I believe that’s as important in its own way as those “depths that Tolkien never reached.” There are, in fact, times when I don’t want those kinds of depths. Sometimes I just want to marvel over talking trees, or feel reassured by the strength of Frodo and Sam’s friendship, or vicariously shrink in fear from the Ringwraiths while I snuggle safely in my own bed. That’s worth an A+ to me.

Toujours Provence by Peter Mayle
Grade: A-

This is a sequel to Mayle’s A Year in Provence, which is the very humorous story of how he and his wife relocated to Provence and all the difficulties and cultural differences they encountered along the way. Though Toujours is not as good, I think it would make an excellent epilogue to the original if read directly afterward.

Artemis Fowl: The Atlantis Complex by Eoin Colfer
Grade: B-

The Artemis Fowl books are like candy. You eat them quickly, enjoy them at the time, but hardly remember the experience later except that you might say, if prompted, that they were yummy. That’s OK, because as I mentioned above in my review of TLOTR, different books serve different purposes. But even in the realms of junk food there are good candies and not-so-good candies, and I’m afraid that the Artemis Fowl books are starting to taste like that cheap Easter candy that looks like chocolate but doesn’t taste half as good. The last book of the series that I really enjoyed was The Lost Colony. The following book, The Time Paradox, was a disappointment. This one was worse, and I do not recommend it.

After diapering and dressing the children, feeding them their breakfast and lunch, and washing the dishes and cleaning the kitchen counter, I have now officially met the bare minimum of motherly tasks for the morning and afternoon.

I also got Marshall to use the potty once and Livia to use it twice, which is pretty darned good considering that he’s uninterested and she’s preverbal.

I read to Livia and put her down for her nap.

Marshall and I watched a bunny and three chipmunks feeding themselves in the yard.

But I am tired, so tired that the most basic tasks seem confusing.

I hope my husband gets home soon so I can take a nap.